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Footloose If it ain’t broke, don’t fix it That’s the mantra of director Craig Brewer, who updates the storyline of this toe-tapping remake to present day Georgia but retains the familiar characters and plot of the classic, which immortalised Kevin Bacon as a teen rebel who unites the emotionally scarred youth of his hometown with the intoxicating power of boogie. Opening to the infectious twangs and beat of the Kenny Loggins title track, Footloose doesn’t put a heel or toe out of place in the energetic dance sequences to funky new versions of Deniece Williams, Shalamar and Bonnie Tyler.
The good-looking, athletic cast kick up their heels with gusto and choreographer Jamal Sims melds line dancing with hip hop and street, always harking back affectionately to the iconic moments of the earlier version. Lead stars Kenny Wormald and Julianne Hough are impressive in their solos and the group numbers, and they catalyse smouldering screen chemistry. Miles Teller provides excellent comic relief as the best friend with two left feet, who needs to learn how to dance to impress his girl, and Dennis Quaid delivers another robust and rather moving supporting performance as the preacher whose grief divides a community.
Ren McCormack Wormald arrives in the God-fearing town of Bomont three months after the deaths of five high school students on their way home from a dance. As a knee-jerk reaction, local minister Reverend Shaw Moore Quaid , whose son perished in the wreck, persuades the council to pass new laws imposing a 10pm curfew on minors and banning dancing within town limits.
Footloose follows the narrative arc of the original, culminating in Ren’s rousing call to arms at a town meeting using The Bible as his primary evidence to extol the joys of dance. Wormald and Hough are both excellent movers and they stand out in the electrifying dance sequences including a rootin’ tootin’ hoedown complete with a flurry of glitter.
It’s all predictable yet huge fun right down to Ariel whispering seductively, “You want to kiss me?
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Newcomer Kenny Wormald stars as Ren MacCormack, a city kid transplanted to the small town of Bomont where dancing has been outlawed. Film The film opens with a young boy named Bobby Moore and a car full of his teenage friends driving home after a night of partying and hit a truck head on causing a fiery and deadly crash. Bobby has left behind younger sister Ariel Julianne Hough , who was once a good girl but has turned into quite the rebellious teen.
She is secretly dating bad boy racer Chuck Cranston Patrick Fleuger , and breaks the no dancing ordinance whenever she can. Ren receives a ticket for disturbing the peace with loud music in the car he fixes up on his very first test drive. Things in Bomont are much different than they were back in Boston.
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Not a great film, it has the premise that there is a town where dancing is outlawed based on a slightly true story. So much so that his remake takes much from the original and updates it only slightly. The big city boy finds himself in a completely different world, and has to accept the southern hospitality of his aunt and uncle Kim Dickens, Ray McKinnon.
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She praised the performance of Wormald, commenting that he “handily owns the role for a new audience” and closed her review saying, “Guardians of the ’80s flame will approve of the production’s sincere respect for the original; church still matters, and so do Ariel’s red cowboy boots. He criticized the film for being so close to the original “sometimes song for song and word-for-word”. It sets up the town elders as old farts who hate rock ‘n’ roll. Does it have a clue that the Rev.
Moore and all the other city council members are young enough that they grew up on rock ‘n’ roll? The film’s message is: A bad movie, if faithfully remade, will produce another bad movie. But the compositions vary randomly between close-ups, awkward medium shots and general coverage that cuts together with no cumulative dynamic power. It doesn’t have the emotional impact of the original, but it ups the energy level. Scott wrote a mixed review and called the dance numbers “woefully inadequate” when compared with Glee , High School Musical and Step Up.
For Wormald’s performance he said, “He has energy but no real magnetism, and while he may be in possession of what are technically known as “moves”, his dancing lacks sensuality and a sense of release. He described the music in the remake as “better and more eclectic than the original, with some blues, country and vintage metal mixed in with the peppy dance tunes”.
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IF it ain’t broke, don’t fix it. That’s the mantra of director Craig Brewer, who updates the storyline of this toe-tapping remake to present-day Georgia, but retains the familiar characters.
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Feminism tih hi thil pakhat mai ni lovin, peng hrang hrang leh kalphung hrang hrang nei a ni. Feminism than chhoh zel dan hi hunbi zawnga sawi dawn chuan; Feminist thawm rik tan tirh 19 century atanga kum zabi 20na tantirh hi first-wave feminists Feminist tlipui tleh vawikhatna tia sawi thin a ni a, kum hnu lamah, the second-wave feminists Feminist tlipui tleh vawihnihna in a chhunzawm a, kan tunlai hun tawng mek hi third-wave feminists Feminist tlipui tleh vawithumna ti a vuah a ni. Feminine tih anih chuan, pianphung leh rilru lama hmeichhe ziarang bik sawina a ni.